Noble Subjects by Bella Grigoryan Published in Studies of the Harriman Institute

Thursday, February 15, 2018
 Bella Grigoryan (Ph.D. Slavic, 2011) is the author of Noble Subjects: The Russian Novel and the Gentry, 1762–1861, published by Northern Illinois University Press. The book, which appears in Studies of the Harriman Institute,  was awarded the Harriman Institute's inaugural First Book Subvention Grant. 
 
From the publisher's website:

“In this highly original, well-researched study, Grigoryan explores the problematic status of the Russian nobility as citizens in an autocratic state as it was articulated in various journalistic, fictional, and nonfictional texts, while offering fresh interpretations of Russian literary works. This is a rare case of a truly balanced interdisciplinary work that makes an equal contribution to the fields of history and literary studies.” —Valeria Sobol, University of Illinois at Urbana-Champaign

Relations between the Russian nobility and the state underwent a dynamic transformation during the roughly one hundred-year period encompassing the reign of Catherine II (1762–1796) and ending with the Great Reforms initiated by Alexander II. This period also saw the gradual appearance, by the early decades of the nineteenth century, of a novelistic tradition that depicted the Russian society of its day. In Noble Subjects, Bella Grigoryan examines the rise of the Russian novel in relation to the political, legal, and social definitions that accrued to the nobility as an estate, urging readers to rethink the cultural and political origins of the genre.

By examining works by Novikov, Karamzin, Pushkin, Bulgarin, Gogol, Goncharov, Aksakov, and Tolstoy alongside a selection of extra-literary sources (including mainstream periodicals, farming treatises, and domestic and conduct manuals), Grigoryan establishes links between the rise of the Russian novel and a broad-ranging interest in the figure of the male landowner in Russian public discourse. Noble Subjects traces the routes by which the rhetorical construction of the male landowner as an imperial subject and citizen produced a contested site of political, socio-cultural, and affective investment in the Russian cultural imagination. This interdisciplinary study reveals how the Russian novel developed, in part, as a carrier of a masculine domestic ideology. It will appeal to scholars and students of Russian history and literature.