Please join us for an evening of musical performance complemented by insights from documentary archives as part of Columbia University’s year-long celebration of the 100th anniversary of Sergei Prokofiev’s American debut in New York City.
“Discovering Prokofiev: Music and the Archive” is a unique program that brings together live music and documentary archives. Cynthia Liu, CC ’18, performs three solo piano works that highlight Prokofiev’s virtuosity as a composer and foreground the notions of interruption and irony, themes that recur brilliantly and tragically in Prokofiev’s art and life. Archivist Natalia Ermolaev (GSAS ‘10), an alumnus of Columbia’s Department of Slavic Languages, complements the music with insights from the archive, illustrating the importance of documentary traces in mapping the complex, transnational impact of Prokofiev’s music for the last century.
Also in association with Columbia University’s year-long celebration of the 100th anniversary of Sergei Prokofiev’s American debut in New York City, there will be a Symposium on New Directionse in Prokofiev Studies on Friday, April 13. Click here for more information.
Three works by Sergei Prokofiev (1891 – 1953)
Sonata No. 2 in d minor, Op. 14
I. Allegro ma non troppo – Più mosso – Tempo primo
II. Scherzo – Allegro marcato
IV. Vivace – Moderato – Vivace
Toccata in C Major, Op. 11
Sonata No. 6 in A Major, Op. 82
I. Allegro moderato
III. Tempo di valzer lentissimo
Cynthia (Cindy) Liu (CC ‘18) is a senior pursuing a B.A. in English and Sociology. Since beginning piano studies at age six, first with her teacher emeritus, Elena Arsenyev, and now her mentor, Dr. Magdalena Stern-Baczewska, Cindy has enjoyed performances in New York’s Carnegie and Steinway Halls; Washington, D.C.’s Kennedy Center Concert Hall and Hungarian & Austrian embassies; her parents’ hometowns in China, Beijing and Neixiang; Toronto; and Paris. Cindy is writing her Sociology thesis, entitled, “Why Have There Been No Great Female Musicians?: Occupational Barriers to Women in the Classical Music Industry,” and has carried out research on Sergei Prokofiev’s formative time in Paris, presented in a paper entitled “Prolific, Passionate, Pivotal: Prokofiev in Paris.”
Natalia Ermolaev (GSAS ‘10) is the archivist for the Serge Prokofiev Archive at Columbia University. She has a PhD in Russian Literature from Columbia (2010) and a Master’s in Library Science from Rutgers University (2013). Natalia specializes in the Russian émigré community in interwar Paris, and was a Reid Hall Fellow in summer 2006. Working at the intersection of archival studies, information science, and literary history, Natalia is the Assistant Director of the Center for Digital Humanities at Princeton University.
This event is sponsored by: Columbia Global Centers | Paris; Department of Music, Columbia University; the Harriman Institute at Columbia University; Columbia University Club of France; Columbia Undergraduate Programs in Paris; Fritz Reiner Center for Contemporary Music; Rare Book & Manuscript Library, Columbia University