In How Russia Learned to Write Literature and the Imperial Table of Ranks Irina Reyfman (Professor of Slavic Languages) explores how compulsory service to the state shaped the course of Russian literature. In the eighteenth century, as modern forms of literature began to emerge in Russia, most of the writers producing it were members of the nobility. But their literary pursuits competed with strictly enforced obligations to imperial state service. Unique to Russia was the Table of Ranks, introduced by Emperor Peter the Great in 1722.
Ronald Meyer's translation of Dostoevsky's "The Gambler" and "A Nasty Business" has been published by Penguin Classics UK in their colourful, small-format, portable new Pocket Penguins.
Belknap's theory of plot illustrates the active and passive role literature plays in creating its own dynamic reading experience. Literary narrative enchants us through its development of plot, but plot tells its own story about the making of narrative, revealing through its structures, preoccupations, and strategies of representation critical details about how and when a work came into being.
The 2014 crisis in Ukraine sent a tottering U.S.-Russian relationship over a cliff - a dangerous descent into deep mistrust, severed ties, and potential confrontation reminiscent of the Cold War period. In this incisive new analysis, leading expert on Soviet and Russian foreign policy, Robert Legvold, explores in detail this qualitatively new phase in a relationship that has alternated between hope and disappointment for much of the past two decades. Tracing the long and tortured path leading to this critical juncture, he contends that the recent deterioration of Russia-U.S.
For both the United States and United Kingdom counterinsurgency was a serious component of security policy during the Cold War and, along with counterterrorism, has been the greatest security challenge after September 11, 2001.