Aleksandar Bošković has released an exhibition catalogue of his work on Nothing, a project that centers experimental media from former Yugoslavia.  The catalogue, as described by Bošković, “investigates nothingness as both the boundary and the generative engine of art. Rather than a void, nothing appears here as a productive method — a break in representation where meaning reconfigures itself. Bringing together a century of experimental practices from the former Yugoslav cultural space, the catalogue traces how artists have used irony, refusal, negation, and erasure to question value, authorship, and visibility, revealing that absence can speak as powerfully as presence.”

The exhibition catalogue accompanies other publicly available components of Aleksandar Bošković’s Nothing project, including a recent interview with the Netherlands Institute for Advanced Studies.