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POSTPONED. Book Talk. The Russian Library presents Andrei Bely’s The Symphonies

This event has been postponed.


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Please join the Harriman Institute, The Oxford Research Centre in the Humanities (TORCH), and Columbia University Press for a discussion with Jonathan Stone, translator of Andrei Bely’s The Symphonies, joined by translator Sarah Vitali and moderator Mark Lipovetsky. Stone’s translation of The Symphonies, published in 2021, is the twenty-fifth book in the Russian Library series at Columbia University Press.

This event is hosted in conjunction with TORCH’s March 2nd event about the Russian Library edition of Alexander Radishchev’s Journey from St. Petersburg to Moscow, translated by Andrew Kahn and Irina Reyfman. Learn More >>


About the Book

Andrei Bely, the pseudonym of Boris Nikolaevich Bugaev (1880–1934), was a central figure of Russian symbolism and modernism as a poet, novelist, and theorist. He was a proponent of innovation who aimed both to revolutionize Russian literature and to find a philosophical framework for modernist techniques. Bely is best known for the modernist masterwork Petersburg, a paradigmatic example of how modern writers strove to evoke the fragmentation of language, narrative, and consciousness. In the early twentieth century, Bely embarked on his life as an artist with texts he called “symphonies”—works experimenting with genre and sound, written in a style that shifts among prosaic, poetic, and musical. This book presents Bely’s four Symphonies—“Dramatic Symphony,” “Northern Symphony,” “The Return,” and “Goblet of Blizzards”—fantastically strange stories that capture the banality of life, the intimacy of love, and the enchantment of art.

The Symphonies are quintessential works of modernist innovation in which Bely developed an evocative mythology and distinctive aesthetics. Influenced by Russian Symbolism, Bely believed that the role of modern artists was to imbue seemingly small details with cosmic significance. The Symphonies depict the drabness of daily life with distinct irony and satire—and then soar out of turn-of-the-century Moscow into the realm of the infinite and eternal. They conjure worlds that resemble our own but reveal elements of artifice and magic, hinting at mystical truths and the complete transfiguration of life. Showcasing the protean quality of Bely’s language and storytelling, Jonathan Stone’s translation of the Symphonies features some of the most captivating and beguiling writing of Russia’s Silver Age.



Jonathan Stone is associate professor of Russian at Franklin & Marshall College. His area of specialty is early Russian modernism, European Decadence, and the print and material culture of the fin de siècle. Stone is the author of The Historical Dictionary of Russian Literature (2013), The Institutions of Russian Modernism: Conceptualizing, Publishing, and Reading Symbolism (2017) and Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s (2019). He has published articles on Russian Symbolism, decadence, the history of the book, and Mikhail Bakhtin in PMLA, The Russian Review, Modernism/Modernity, and the Slavic and East European Journal.


Sarah Vitali is an affiliated lecturer at the University of Cambridge. Her translations include Vladislav Khodasevich’s memoir Necropolis (Columbia University Press, 2019) and The Magic Lantern: Selected Poems by Afanasy Fet (co-translation with Alex Tullock; Columbia University Press, forthcoming). She is translation editor of the arts and literary magazine American Chordata.